lesson 5: Modifiers

ike
jaki
lawa
len
lili
mute
           
nasa
seli
sewi
tomo
utala
 
 

 

compound nouns

If you feel you are starting to understand how to stack your glyph blocks, adding modifiers shouldn't be too hard. Let's look at jan Pije's example, building up to "this good soldier"

 

jan
jan utala
jan utala pona
jan utala pona ni

 

This compound noun block is equally at home as the subject, or direct object:

 

jan utala pona ni li lawa.
mi lawa e jan utala pona ni.

 

In chapter two we talked about tucking glyphs behind others. Look how well this works for the combination jan utala in the examples above.

 

short blocks: lili and mute

Lili and mute are wider and shorter than some of the more square glyphs. As modifiers this can work to your advantage, as they don't take up too much space:

 

jan lili
tomo mute
jan nasa mute

thin blocks: ni

Remember in lesson 1 we said syllalble glyphs can be used instead of glyph blocks? As a glyph block, ni is pretty square, but as a syllable it is tall and thin. This can be useful when ni is used as a modifier:

 

len ni
ilo seli ni
telo nasa ni

stretching and squishing blocks

Maybe you have started to notice, glyph blocks have a little bit of give to them. They can stretch or squish in order to maintain a square shape in a multi-block structure. If you understand how to tuck one glyph behind another, to stretch or squish glyphs, and use short and thin blocks, you will see just how many different arrangements there are for compound blocks. Here are seven different ways to arrange ma ike jaki ni. Which one you would want to choose would depend on the how well it fits in the rest of the sentence:

 

ma ike jaki ni
ma ike jaki ni
ma ike jaki ni

 

ma ike jaki ni
ma ike jaki ni
ma ike jaki ni
ma ike jaki ni